In Following the Elephant, Bruno Nettl edits articles drawn from fifty years of the pioneering journal Ethnomusicology. The roster of acclaimed scholars hail from across generations, using other works in the collection as launching points for dialogues on the history and accomplishments of the field. Nettl divides the collection into three sections. In the first, authors survey ethnomusicology from perspectives that include thoughts on defining and conceptualizing the field and its concepts. The second section offers milestones in the literature that critique major works. The authors look at what separates ethnomusicology from other forms of music research and discuss foundational issues. The final section presents scholars considering ethnomusicology--including recent trends--from the perspective of specific, but abiding, strands of thought. Contributors: Charlotte J. Frisbie, Mieczylaw Kolinski, Gerhard Kubik, George List, Alan P. Merriam, Bruno Nettl, David Pruett, Adelaida Reyes, Timothy Rice, Jesse D. Ruskin, Kay Kaufman Shelemay, Gabriel Solis, Jeff Todd Titon, J. Lawrence Witzleben, and Deborah Wong

Kinaaldá, the ceremony associated with the onset of a girl’s puberty, is an important Navajo rite within the Blessingway complex. Derived from the experiences of Changing Woman, the puberty ceremony has been passed through generations and continues to be observed throughout Navajoland.

An acknowledged classic, Kinaaldá remains the most complete "outsider" account of this important ceremony. Charlotte Frisbie’s lucid description takes the reader through the four-day ritual, describing sequence, daily activities, restrictions, observances that include the girl’s race toward the east, and an analysis of the ceremonial music, complete with notations and translation.

To give readers a better sense of why, Frisbie relates the beliefs and practices expressed in Kinaaldá to origin accounts conveyed by medicine people and to explanations and discussions with other Navajos.